He is a professor, poet, and probably not the best idea. I kiss him because I like his hands, but realize the more I look at them that they are just regular hands. I steal from him the idea of mourning changes in form, even though I am pretty sure I give it to him in the first place. We write poetry in my kitchen. He drinks merlot, I hate fucking merlot. We stop talking after we eat steak sandwiches at Founding Fathers pub. I am almost raped later this night.
He writes about me in his blog and I blush as I read it because he talks about how I was shirtless in candle light. He uses my name and this both excites and terrifies me.
Alice is a student in Buffalo while I am a teacher. She is never one of my students though. I justify the sex because I meet her at a Starbucks function, where we are both part-time employees, and figure it is open territory and our teacher-student relationship can be chalked up to coincidence. We flirt when I order my beverage. She is young and deceptive and has eyes, that in retrospect I know, I should have known better.
After the meeting my manager and some other partners walk to Gallagher’s for beer to wash off the propaganda. Alice is there watching the Sabres shit the bed yet again. She joins us during intermission and sits next to me while we discuss Iggy Pop, Jack Spicer, and how shitty Buffalo really is. She plays with my hand under the table and I am immediately hooked. That night we make out on her futon in the college party house she lives in. I look around to make sure there aren’t any of my students present.
After she tells me she’s not going to sleep with me, she stands up shirtless in jeans her hair waving over her shoulders. Under candlelight I say, “Stop, I want to remember this.”
The story of a woman trying to find her place in a society when she has not yet been invented.
07 November 2010
04 November 2010
You will never be a philosopher.
I learn from him that I am terrified of monogamy with the wrong person. I never have to tell him, he just knows. I become an alcoholic. He makes me clumsy. I am his third and I love knowing this. He uses Yardley Lavender soap and Dial hand disinfectant. His hands crack from washing them so much. He keeps a piece of a tree in his drawer that he carved out of the same tree Ernest Hemmingway carved his initials into. He feels creative around me, I think because I make him furious. He thinks he is crazy, but I think he is just practical. I get the furniture, and I’m certain he takes most of my good records, but he will never admit to this. He makes me tell every detail about sleeping with another man.
30 October 2010
The lonliness leads to bad dreams, and the bad dreams lead me to calling you.
Kim Iverson is a waste of air. Today I dye my hair black and realize that willing yourself sober, doesn't make you sober. I sometimes find myself secretly rooting for USC when they play Oregon just because I think I need something else to fight with my mom about.
He is never my lover. He just knows things about me that I don’t know other people can know. I find out that he owns a copy of The Secret Language of Birthdays and uses it frequently as a reference tool to screen his friends. He cuts off the lit ends of cigarettes so that he doesn’t inhale the flame retardant. He teaches me the sign of a true adult friend is that they consider you when you are not around.
He dismantles me. I do not know if it is his sex or his personality. It might be his tattoo, or his bass. He cleans Sharpie off of me and never tells anyone. He gives me the feeling that I am looking at a photograph of us from far away. A black and white photograph, where he is holding me around his waist by my legs; it is raining and it is summer. My face is very close to his, the water dripping down our foreheads intersects at our noses. I sag a little as he bends his knees.
I often confuse the feeling of neglect with the feeling of love.
He is never my lover. He just knows things about me that I don’t know other people can know. I find out that he owns a copy of The Secret Language of Birthdays and uses it frequently as a reference tool to screen his friends. He cuts off the lit ends of cigarettes so that he doesn’t inhale the flame retardant. He teaches me the sign of a true adult friend is that they consider you when you are not around.
He dismantles me. I do not know if it is his sex or his personality. It might be his tattoo, or his bass. He cleans Sharpie off of me and never tells anyone. He gives me the feeling that I am looking at a photograph of us from far away. A black and white photograph, where he is holding me around his waist by my legs; it is raining and it is summer. My face is very close to his, the water dripping down our foreheads intersects at our noses. I sag a little as he bends his knees.
I often confuse the feeling of neglect with the feeling of love.
28 October 2010
Wasting away again.
I make up fantastic stories about how I meet him because we meet on the internet before one in five relationships were started that way. He is easy to hurt because he is small. I am also not the one to hurt him the most. I am usually honest. He introduces me to Schrodinger’s Cat, and Albert Camus. I can’t remember much about him other than that stupid sweater. I have never known a person so long yet they mattered so little. I can not tell you what his favorite food was, or what he would order at a bar.
On a trip to Key West, I meet my grandfather in the form of a drunken stranger. What I mean is this. We have drinks in a bar that doesn’t ID me which is vital since I am only twenty. And this drunken stranger, who I suppose is not really a stranger but just a woman I didn’t know very well at the time, ingests too much alcohol. She becomes violent and enraged; she becomes uncontrollable. In an effort to take her back to somewhere safe we hail a cab. Upon eyeing her, covered in blood and vomit and screaming, we are not permitted to enter. I send the men in the cab to retrieve the car that will then come back and get us to take her somewhere safe. As we sit on the bench outside of the Green Parrot, I wonder. As she screams that no one will help her, as she screams that she is dying and no one will save her, I wonder. As she tries calling her father to tell him goodbye, as she is certain that dying must feel like this, I wonder. What is happening to me? When we arrive somewhere safe she throws anything she can reach like a child learning how to use their arms. And when we wake up it is over and there is calm in the house. On returning home my mother asks me if we went to the Green Parrot and I am shocked that she would ask such a question. Yes mom, yes we did. And she begins to cry a little as she tells me that her father drank himself to death and died on the bench outside the bar, alone.
On a trip to Key West, I meet my grandfather in the form of a drunken stranger. What I mean is this. We have drinks in a bar that doesn’t ID me which is vital since I am only twenty. And this drunken stranger, who I suppose is not really a stranger but just a woman I didn’t know very well at the time, ingests too much alcohol. She becomes violent and enraged; she becomes uncontrollable. In an effort to take her back to somewhere safe we hail a cab. Upon eyeing her, covered in blood and vomit and screaming, we are not permitted to enter. I send the men in the cab to retrieve the car that will then come back and get us to take her somewhere safe. As we sit on the bench outside of the Green Parrot, I wonder. As she screams that no one will help her, as she screams that she is dying and no one will save her, I wonder. As she tries calling her father to tell him goodbye, as she is certain that dying must feel like this, I wonder. What is happening to me? When we arrive somewhere safe she throws anything she can reach like a child learning how to use their arms. And when we wake up it is over and there is calm in the house. On returning home my mother asks me if we went to the Green Parrot and I am shocked that she would ask such a question. Yes mom, yes we did. And she begins to cry a little as she tells me that her father drank himself to death and died on the bench outside the bar, alone.
I just want to go swimming.
He is never my lover, but we are in love. Friend love, I think. First, he is a large coffee with cream and sugar. He brings his very old laptop to the cafĂ© and grades papers and lets me read the really bad ones. Then he is my professor. He gives me an A on a paper when I don’t deserve it, and I know it. I re-write the paper anyway. Then he is a dry gin and vodka martini or a Molson Canadian or a Guinness. We think we wouldn’t drink as much if the bookstore would hold normal hours. Now he is my first friend to get married and have a child. His wife despises me because I drink too much and tell her how much I love her husband.
The night before he moves away we meet at K. Gallagher’s. I don't know if I have ever cried so hard for someone who did not die, or sleep with me.
I find a key to the city in front of the Old Pink on Allen Street on a Sunday morning. I walk past it three times before picking it up. It is probably a duplicate. Also on this day I find a fortune missing its cookie. It says, “No one is standing in your way anymore, it is time to move forward.” I tend to dislike Allen Street on a Saturday night, but with out it there would be no Sunday morning. Or maybe there would. It probably wouldn’t be the same. I probably would not like it as much.
The night before he moves away we meet at K. Gallagher’s. I don't know if I have ever cried so hard for someone who did not die, or sleep with me.
I find a key to the city in front of the Old Pink on Allen Street on a Sunday morning. I walk past it three times before picking it up. It is probably a duplicate. Also on this day I find a fortune missing its cookie. It says, “No one is standing in your way anymore, it is time to move forward.” I tend to dislike Allen Street on a Saturday night, but with out it there would be no Sunday morning. Or maybe there would. It probably wouldn’t be the same. I probably would not like it as much.
26 October 2010
We're just two lost souls swimming in a fish bowl.
Today at work I am told that I need to check myself. People find me crude, and harsh. I think I am just honest.
I like to think that he is still waiting for me, and when I move back to New York, we will run into each other on the street and fall in love again. I am not surprised to see Joan Didion’s “Goodbye to All That” as I write this, but I take it as a sign that I need to read it again in a new context. I also need to finish thinking about my life in New York. I always start thinking about it, but I get frightened very easily, and think I might remember something that I purposefully forgot.
My life in New York smells like cannabis smoke being blown through a toilet paper tube stuffed with dryer sheets. It is rotting leaves and fresh garbage, men’s cologne that lingers in my bed long after its wearer has gone home. It feels like the cool breeze of the G train as I wait, warm and sticky, for hours because it is never on time. It feels like a seventeen year old’s ambition mixed with a seventeen year old’s disillusionment. But mostly it is like a dream. I am unsure it ever really happened. The only thing that I know still remains is the love I leave in Queens.
Perhaps because New York is in some kind of suspension of time and space where I can have everything I want. Or maybe I can have everything I want because it never lasts. He will only be mine as long as I am in the City. As soon as I leave we belong to other people.
When I move back to Buffalo from Brooklyn I do the following things with my body: I walk to the gas station and buy a bottle of iced tea and a pack of Camel 99’s. I smoke one. I get a pedicure. I apply eyeliner to my top lids. I smoke another cigarette. I drive to Starbucks. I pick up an Art Voice, read it, and then give it to a much older man that I think is cute. I toy with the idea of marrying him.
I like to think that he is still waiting for me, and when I move back to New York, we will run into each other on the street and fall in love again. I am not surprised to see Joan Didion’s “Goodbye to All That” as I write this, but I take it as a sign that I need to read it again in a new context. I also need to finish thinking about my life in New York. I always start thinking about it, but I get frightened very easily, and think I might remember something that I purposefully forgot.
My life in New York smells like cannabis smoke being blown through a toilet paper tube stuffed with dryer sheets. It is rotting leaves and fresh garbage, men’s cologne that lingers in my bed long after its wearer has gone home. It feels like the cool breeze of the G train as I wait, warm and sticky, for hours because it is never on time. It feels like a seventeen year old’s ambition mixed with a seventeen year old’s disillusionment. But mostly it is like a dream. I am unsure it ever really happened. The only thing that I know still remains is the love I leave in Queens.
Perhaps because New York is in some kind of suspension of time and space where I can have everything I want. Or maybe I can have everything I want because it never lasts. He will only be mine as long as I am in the City. As soon as I leave we belong to other people.
When I move back to Buffalo from Brooklyn I do the following things with my body: I walk to the gas station and buy a bottle of iced tea and a pack of Camel 99’s. I smoke one. I get a pedicure. I apply eyeliner to my top lids. I smoke another cigarette. I drive to Starbucks. I pick up an Art Voice, read it, and then give it to a much older man that I think is cute. I toy with the idea of marrying him.
24 October 2010
If Jackson Pollock were an economist, he would study the way things don't always add up.
He has a tattoo of a lion or Bob Marley on his left shoulder. He makes me shake and takes me for a cheeseburger, and pays with a one-hundred dollar bill. He never cares that I am young. His dad is dead. He gets me addicted to the idea of cocaine.
I sniff a large line of cocaine up my nose through a twenty-dollar bill. I let it drip down the back of my throat. It has a very sterile taste, unlike acid blotters, which taste like mint. He moves his hand towards my face and wipes the white residue from under my nostrils. I sit facing him and cry in my underwear. I look around briefly, notice the mirrors glimmering and the walls breathing. I am immobile. I am impenetrable. I am dying. Colors reach past my eyes into my brain, wrapping it up and smothering it until it burst into fragments of life. They make every touch feel like sex, the kind of sex where you can’t stop shaking.
When I am seventeen I move to Brooklyn to attend art school. My first semester at Pratt I have a GPA of 2.3 and a BAC of .1 or more. It is here that I form my relationship with chemical reactions.
I always feel like I am being left out of something. I think Chester is the only person who understands this because he lives in New York City and men don’t love him the way he deserves to be loved.
I sniff a large line of cocaine up my nose through a twenty-dollar bill. I let it drip down the back of my throat. It has a very sterile taste, unlike acid blotters, which taste like mint. He moves his hand towards my face and wipes the white residue from under my nostrils. I sit facing him and cry in my underwear. I look around briefly, notice the mirrors glimmering and the walls breathing. I am immobile. I am impenetrable. I am dying. Colors reach past my eyes into my brain, wrapping it up and smothering it until it burst into fragments of life. They make every touch feel like sex, the kind of sex where you can’t stop shaking.
When I am seventeen I move to Brooklyn to attend art school. My first semester at Pratt I have a GPA of 2.3 and a BAC of .1 or more. It is here that I form my relationship with chemical reactions.
I always feel like I am being left out of something. I think Chester is the only person who understands this because he lives in New York City and men don’t love him the way he deserves to be loved.
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